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Margaret Qualley The Substance (2024)

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In Coralie Fargeat's brand-new feminist terror flick The Substance, hazardous popular beauty standards are actually the genuine creatures. They (female objectification, the disposal of "the outdated," the expansion of a business built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://seecut.blogdeazar.com/30120202/the-substance
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