In Coralie Fargeat's new feminist terror flick The Substance, hazardous societal appeal specifications are the genuine creatures. They (female objectification, the disposal of "the aged," the expansion of a market built on body adjustment) nourish a beast of a pattern that leads Demi Moore's fading TV individual character Elisabeth https://hesouttherevideo.pennywiki.com/4169378/margaret_qualley
The Substance (2024)
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